By Peter Kivy
Antithetical Arts constitutes a defence of musical formalism opposed to those that may placed literary interpretations at the absolute song canon. partly I, the historic origins of either the literary interpretation of absolute song and musical formalism are laid out. partially II, particular makes an attempt to place literary interpretations on a variety of works of absolutely the track canon are tested and criticized. ultimately, partly III, the query is raised as to what the human importance of absolute track is, if it doesn't lie in its representational or narrative content material. the answer's that, as but, philosophy has no solution, and that the query could be thought of a major one for philosophers of paintings to contemplate, and to aim to respond to with out attract representational or narrative content.
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