By Jairo Moreno
Jairo Moreno adapts the methodologies and nomenclature of Foucault’s "archaeology of data" and applies it via person case reports to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His end summarizes the conditions―musical, philosophical, and historical―that "make a undeniable type of thought of song important and attainable on the time it emerges."
Musical which means and Interpretation―Robert S. Hatten, editor
Read Online or Download Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber (Musical Meaning and Interpretation) PDF
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